The Calling
The sculpture is a Pūkāea, or a traditional trumpet. It was used as a warning device, or a musical instrument. A Pūkāea could be up to seven feet in length, and was known as a Tētere in other areas. A Pūkāea is made by hewing, a way to convert the wood from its round form to a flat surface, pieces are most commonly mātai wood. The wood is split through the middle and both pieces are then hollowed out, forming a hollow tube when placed together. Bark was used to keep the pieces together and a mouth piece was formed using the hewing process. This artist work represents his calling' from Raukawa, this was made just a few days before the Symposium started in 2006.
Location | Roslin Street children's play area |
Materials | Mātai, on concrete plinth |
Created | 2006 |
Artist | James Davidson |
Definition of Name | Calling - a strong urge toward a particular way of life or career; a vocation |
Interpretation Definition | This pole represents a warning device or musical instrument. This warning sound can be seen as a calling' for all to be warned of approaching danger. |
Materials
The Mātai timber was donated by Te Putahitanga O Nga Ara Trust.
This sculpture was made out of Mātai, because it splits straight. The piece was hollowed out, and bound together again - this is why the rope on the sculpture is significant.
The wood Mātai heartwood can be a yellowish colour when cut fresh, although it darkens to a dark redish brown when exposed to sunlight. The timber could be confused with Rimu on first look, but Mātai wood tends to have more pronounced growth rings. Mātai is also strong smelling when first cut.
Mātai can be found extensively throughout lowland forests, with heights of 25-30 metres recorded. Older more mature Mātai are a sought after, in demand wood as it is one the highest and finest grades of native species. Mātai is revered for high yields of heartwood timber that is clear and has an attractive finish.